This article by Bertha Newcombe was published in Sylvia's Journal, March 1894. Bertha Newcombe was a water colourist well known for her published images of Jefferies' Land, North Wiltshire. This delightful critical essay includes eight superb illustrations by her. She condemns Jefferies for some of his conservative writings as a young man but applauds the fact that 'he saw so clearly the wrong construction of society; the injustice that, in a world of plenty, heaps that plenty into the hands of a few, and holds the majority at their mercy'.
Richard Jefferies and His Home in Wiltshire
This article by Bertha Newcombe was published in Sylvia's Journal, March 1894. Bertha Newcombe was a water colourist well known for her published images of Jefferies' Land, North Wiltshire. This delightful critical essay includes eight superb illustrations by her. She condemns Jefferies for some of his conservative writings as a young man but applauds the fact that 'he saw so clearly the wrong construction of society; the injustice that, in a world of plenty, heaps that plenty into the hands of a few, and holds the majority at their mercy'.
A Peculiarly English Genius Vol. IV to be published this year
The fourth and final volume covers Jefferies’ last five years from July 1882, when he moved with his family to Hove in East Sussex, until his death at Goring-by-Sea in August 1887, years that saw the reactivation of the tuberculosis that was to kill him, years of often intense physical suffering and mental anguish, during which Jefferies fought a heroic but losing battle against what he called the three giants of Disease, Despair, and Poverty. His woes were immeasurably compounded when in March 1885 he lost his infant son, Oliver Launcelot, to meningitis. His grief was such that he was unable to attend the funeral.
Illness caught Jefferies in a vicious spiral. It
severely reduced his earning capacity by confining him indoors for long periods.
As he told C.P. Scott, for whom he wrote a short history of his illness, he was
entirely dependent on being in the open air, in direct contact with nature for
inspiration. Doctors’ fees quickly eroded his savings, so that he began a slow
but ineluctable slide into penury, a slide only temporarily halted by a grant
of £100 from the Royal Literary Fund. Towards the end he became so weak that he
was unable to use a pen and dictated to his devoted wife Jessie, who acted as
his amanuensis.
Yet these were also the years in which, by a
triumph of the human spirit over adversity, Jefferies produced his very finest work,
including his masterpiece, the short volume of spiritual autobiography titled The
Story of My Heart (1883), the cornerstone of his oeuvre. In it, Jefferies
recounts the various stages of his spiritual progress from the time when, as a
youth in his late teens, alone on a hill three miles from his home in his
native Wiltshire, he received his illumination, a vision of eternity. In
language of great freshness and purity, he describes his rapturous communion
with sun, sky, stars, sea, and down, and his vision of a world free from want
and needless toil.
In the final chapter we survey Jefferies’
fluctuating reputation since his death and propose reasons why he remains worth
reading in the twenty-first century, why indeed his message remains more urgent
than ever before.
WATCH THIS SPACE FOR MORE INFORMATION. LIKELY PUBLICATION DATE 6 NOVEMBER 2026 -- Jefferies 178th birthday anniversay.
The Earth Prayer
'The Earth Prayer' was the title that Samuel J Looker gave to this poem in Jefferies' hand. Looker published it in the Chronicles of the Hedges in 1948 along with the comment that it 'is obviously part of the feeling that inspired the writing of The Story of My Heart' (i.e. the opening passage).
N.B. Jefferies writes beautiful poetic prose. Forgive his clumsy attempts at poetry.
Imaginative water colour of Liddington Hill by Jane Muir FCSDThe sunshine in the cloudless sky,
When up the hill I pressed on high,
Upon the earth I laid my breast,
The thyme beneath my form was prest,
My face within the grass was laid,
My hair was mixed with the green blade;
I smelt the odour of the grass,
And the sweet smell the sweet earth has;
The little insects trembling fled,
And turned aside from couched head,
The wind now uttered siss, siss, siss,
Sharp as the sound of a bee I
The wind that blew so free and blithe,
Like the clean swinging of a scythe,
The wind that lifted every stalk,
As if the grass would rise and walk;
Nor could these grasses be so small
But that I knew them one and all;
That earth might keep my lust so bold,
I with my finger touched the mould,
The atoms clung to the moisty skin,
And as a prism my nail glowed then,
But as earth's beauty I adored,
I heard my heart against the sward,
Within my soul from a distant sea,
A deeper pulse that answered me.
Walk from White Horse Hill to Wayland Smithy
Sharing a recent youtube film by Neil of his recent ramble, in the heat, from White Horse Hill along the Ridgeway to Wayland Smithy. This is a walk that Richard Jefferies would have enjoyed and which he wrote about. Wayland Smithy partly features as the dolmen in Greene Ferne Farm (1880) when Margaret Estcourt is lost in the mists on the downs with Geoffrey.
12 July 2026 marks the centenary of Jessie Jefferies' death
On 12 July 1926 Jessie Jefferies died at her final home in Penlu. Perranporth, North Cornwall. Little is known about the beloved wife of Richard Jefferies but she must not be fogotten. She played such a vital role in his life and works.
Jessie's grave at St. Piran's church, Penhallow has been restored to mark the occasion of the centenary.
You can read more about Jessie here.The July Fly
The following extract comes from 'The July Grass' first published on 24 July 1886 in the Pall Mall Gazette and later collected in Field and Hedgerow. The "July fly", described by Jefferies, is the pretty burnet moth [a day-flying moth] and the birdsfoot "lotus" is birdsfoot trefoil that he would have seen in the meadows.
Nature Notes in June
Samuel Looker transcribed the following page of un-dated notes by Jefferies and published them in Field and Farm with the title Bird Notes in June.
Wayland Smith's cave
Richard Jefferies memorial elm in Tolworth
Andrew Rossabi (President of the Richard Jefferies Society) gave a talk at Surbiton Library on Richard Jefferies’ Tolworth years on 26 September 2018. It was a beautiful sunny day and this memorable occasion was followed by a walk to the Richard Jefferies Bird Sanctuary where a young English elm sapling, that was Dutch elm disease-resistant, was planted as a Jefferies’ memorial in The Wood next to the Sanctuary fence and behind Surbiton Station.
'The Pageant of Summer' as an Epic Found-poem
Richard Jefferies' footstone on his grave in Broadwater Cemetery, Worthing describes him as the 'Prose Poet of England's fields and woodlands'. Never could there be a better example of how well his prose reads beautifully as lyrical poetry as in his glorious essay 'The Pageant of Summer' that was collected in The Life of the Fields (1884).
R.D. Stapleford has introduced and edited the essay (in May 2026) and expressed it as an epic found-poem (click on the link to read in full) that begins:
Green rushes, long and thick,
Standing
up above the edge of the ditch,
Told
the hour of the year
As
distinctly as the shadow
THE LOST ELMS wins top literary prize for Nature writing
Mandy Haggith was announced today (7 May 2026) as the winner of the Richard Jefferies Award for the best nature writing issued in 2025 for her book The Lost Elms published by Wildfire, an imprint of Headline Publishing Group Limited.
Walk around Tolworth 6 June 2026
This guided walk, in the footsteps of Richard Jefferies' Tolworth years, will be led by local ecologist and Richard Jefferies Society member, Alison Fure.
Please note that you need to book a place if you wish to attend. Numbers are limited for insurance reasons. Email bentonbat@gmail.com.
New meeting room for the Richard Jefferies Museum
Richard Jefferies Award Shortlist for 2025 Nominations
The Richard Jefferies Award is given annually to the author of the publication considered by the judging panel to be the most outstanding nature writing published in a given calendar year. The winning work must reflect the heritage and spirit of Richard Jefferies’ countryside books.
Congratulations to the following 2025 nature-writing books and their authors that have been shortlisted for the latest Richard Jefferies Award:
About the Society
and the memorial stone on Burderop Down with its iconic quote "It is eternity now. I am in the midst of it. It is about me in the sunshine."
Other places of pilgrimage are at Surbiton, Sydenham and Eltham near London, and at Brighton, Crowborough and at his final home at Goring by Sea, Sussex where he died at the age of 38. Richard Jefferies' grave is in Broadwater cemetery at Worthing.
Shortlist for Richard Jefferies Award for best nature writing published in 2024
The Richard Jefferies Award is given annually to the author of the publication considered by the judging panel to be the most outstanding nature writing published in a given calendar year. The winning work must reflect the heritage and spirit of Richard Jefferies’ countryside books.
The shortlist for 2024 nominations:
















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